Tuesday, August 26, 2014

The Art of Architectural Photography 8-26-2014

I am pleased and honored to be hosting a webinar for Tiffen Dfx tomorrow, Wednesday August 27, 2014 at 12 PM est.

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Saturday, August 16, 2014

The Art of Architectural Photography 8-16-2014

Light is integral to all visuals.  And light is the basic component of photography.  Yet light is elusive, mysterious, not easy to grasp either figuratively or literally.  Light is beautiful in its power and its ability to unify.  It is decorative, illuminating and creative.  Light can be harsh or soft; blinding or guiding; relevant or discordant.  As a photographer light is my adversary, my friend and my teacher.

On a recent trip to the Brooklyn Botanic Gardens, I was gifted with a day of varying light patterns.  The day started out cloudy.  Often a cloudy day provides the "best" conditions during which to photograph outdoors because there is no glare. My day then became gloriously sunny giving me a chance to shoot shafts of sunlight sifting through leaves and creating shapes on walkways.  Still later, humidity caused my lens to occasionally fog up.  (Not necessarily a bad thing, fog, if used to its advantage as a diffuser.)  The different lighting options gave me natural lighting opportunities to hone in on some macro photography I had been wanting to do.  Later, I enjoyed walking on the dappled sun/shade paths the Gardens offer.  All was lush and dense with summer's greenery and flowers.  Each lighting scenario accentuated the colors and forms.

In every season and weather, I always love looking at the natural plantings in the Gardens.  And I am delighted with the way that the architecture of the buildings complements these beautiful plantings.  Interiors and exteriors feature lovely augmentations to the gardens.  The art deco lobby I visited that day in one of the BBG's central buildings brought forth the memories I have of Brooklyn when deco abounded.  The style was extremely popular throughout the middle decades of the twentieth century and I grew up seeing art deco detailing in numerous buildings all over NYC.  It is a marvelously adaptive design palette that emphasizes light and all of its characteristics.  The forms and lines of art deco attract and appreciate every light perogative.  It is especially enchanting to see art deco shapes of light echoing, enhancing and creating design as they are admitted through the wonderful glass deco door panels.  

 Black and white architectural photography: Brooklyn Botanic Gardens, Brooklyn NYC

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Monday, August 11, 2014

The Art of Architectural Photography 8-11-2014

As previously mentioned: nature is the great architect.  Molding, building, sculpting and shaping nature creates our universe.  It is from nature that many architects derive their inspiration.  Occasionally nature is glorified by the setting aside lands for the specific purpose of enjoying the majesty that nature seemingly offers effortlessly. 

One such natural place is the Flume Gorge in Lincoln, NH.  Here, a wonderful pathway created from natural wooded walkways and stairs allows visitors to follow the passage that nature creates with water, trees, vegetation and rock.  This natural marvel is for hiking, reflecting and observing nature.  There are also natural locations where humans have utilized nature's instruction to benefit commercial projects.  The Panama Canal is one such undertaking that used natural resource as a platform for architecture and building.  Whatever the case, nature in its genius for construction freely shares knowledge that we may use to better our own creations.

Sepia architectural photography: Lincoln, NH

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Sunday, August 3, 2014

The Art of Architectural Photography 8-3-2014

Light and its mannerisms play a most significant part in taking a photograph and the subsequent look of the image.  Further, light appeals to our emotions.  The way that light plays on a subject can trigger different responses from viewers to photographs.  For example, a harshly lit image may cause the viewer to feel repelled or excited by the photograph.  On the other hand, a softly lit scene may appear romantic or induce a sensation of calm.

There are few scenes that can elicit the melting moment of the magic hour after a rain in the bucolic countryside.  Recently I had the pleasure of seeing such a sight from the porch of an old inn in New Hampshire.  The emotions of peace and pleasure came to mind as I snapped the shutter on the fleeting scene that the light, time of day, setting and architecture had conspired to produce.

Sepia architectural photograph: Whitefield, NH

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Saturday, July 26, 2014

The Art of Architectural Photography 7-25-2014

The architecture that nature provides for study has influenced architects and artists from known time during which humans lived.  The caves were determined as dwellings  by their natural structure and form.  When humans began to construct buildings, they looked to nature for inspiration as well as for building materials: wood, stone, minerals.  To be near a water source was always desirable for both the erection of the structure and for convenience in living.  Light, of course was and remains of paramount importance.  Therefore, structures in natural settings frequently involve light and water in their design.

The study of natural formations inspires and elucidates.  Waterfalls emanating from undisturbed natural rock formations are beautiful; additionally, they provide a wealth of understanding in the area of certain critical principles that pertain to construction.  These involve physics, architecture, form, line, design.
"The only things in my life that compatibly exist with this grand universe are the creative works of the human spirit-" Ansel Adams.  Look to nature as the ultimate teacher.

Black and White architectural photography; Lost River Gorge: Woodstock NH

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Friday, July 18, 2014

The Art of Architectural Photography 7-18-2014

The tale of the city mouse and the country mouse describes the differences in lifestyle and the contrasts that they bring.  I find a negative aspect of an artist's work can be stagnation.  If an artist is to grow and the work evolve and develop, change of scene can be a great catalyst.  Many artists throughout history traveled to refresh their senses and they incorporated that which they encountered into their art.

Each year I have traveled in the summer.  Sometimes we took mammoth car trips to Alaska, Florida or the Dakotas.  Several trips to Europe were inspirational during past Julys.   Most summers are spent in a tiny inherited cottage in Bethlehem, New Hampshire: the White Mountains.  There, the contrasts for me are enormous from my NYC life.  Visually, nature is at the heart of all that I see in New Hampshire.  Layer upon layer of mountains surround vast vistas.  Trees, shrubbery and flowers abound in a multitude of greens and the full spectrum of floral hues.  The night skies are spectacular.  Black velvet with millions of twinkling stars and memorable moons.

Most of all, I enjoy seeing the clapboard houses that are few and far between in the city.  Victorian houses nestle with Federal homes: accentuating wood construction vs. stone/brick.  There are numerous 18th and 19th Century dwellings in Bethlehem, but again and again I am attracted to the wide, wraparound porched clapboard houses wreathed in vines.  They hold the concept of home for me.

 Sepia architectural photography

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Friday, July 11, 2014

The Art of Architectural Photography 7-11-2014

Some of the happiest memories of my childhood are of going to the local hardware store with my Dad.  My Dad loved to tinker and fix things around the house; it gave him pleasure to work with his hands.  Both of us viewed the hardware store as a treasure trove. My passion for architecture was surely encouraged by seeing all of the findings and supplies arrayed on the shelves in the small, dimly lit shop on bustling 18th Avenue in 1950's Brooklyn.

The hardware store was a long, narrow room; its only light seemed to emanate from a smoke wreathed bulb hanging from a wire above the counter where all the business transactions took place. The small space smelled of tobacco, oil and turpentine.  Jars of shiny brass screws and dull, silvery metal washers that looked like coins were stacked on dusty shelves.  Coils of rubber tubing and rolls of thick brown twine were piled precariously to the ceiling rafters.  Pipe parts with intricate threads and that were embossed with company names intrigued me.  Brooms, yardsticks, paint stirrers and long wooden dowels were in every corner.  The patterns, textures and forms I saw in that store still inspire me to look at architecture for its construction details.  Nails, joins, and other parts of a structure contribute to its appearance as well as its stature.

Recently I visited a plumbing supply house.  This object caught my eye and took me back to my youngest recollections of the hardware store in Brooklyn, NY.  The counter person asked me what I was taking pictures of.  "Something beautiful," I replied.

Black and White Photography

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